this is the main event! (are you ready?)

February 28th, 2012 pam Posted in FOs, crochet, friends, silliness | 27 Comments »

In the Season 3 finale of RuPaul’s Drag Race, when contestant Raja was asked why she deserved to win the competition, she said:

 

I would love to leave a legacy for all those little boys who are teased, who are afraid, who don’t know how to express themselves creatively yet. And they don’t even know that they’re allowed to go against the grain … It’s okay to say “fuck you.” Do what you love to do, and express yourself thoroughly. I want to be an example of someone who is proud, someone who is accomplished, and someone who loves, loves what they do.

 

I might have some ambivalence about Raja, about Drag Race in general, and about Season 3 in particular, but OH MY GOD I sobbed like a tiny little baby when she made that speech. It’s far too rare that kids–and especially queer kids–get the message that being different might not be a bad thing. For me, that glimmer of hope came in 1993 when I saw RuPaul on television for the first time. I’m not exaggerating when I say that punk rock and RuPaul saved my life.

 

Cut to one cold February weekend, almost twenty years later, and I’m mainlining Season 2 of Drag Race while working on a handmade gift for my badass squirrel friend Heather. As I laughed, cried, and shouted at the screen (PANDOOORAAAA!!!), all of the glamour and all of the fame were lovingly, fiercely stitched into …

 

RuDoll

 

RuDoll!

 

RuDoll posed for some glamour shots with noted fashion photographer Caro Sheridan,

giving us a glimpse at the Charisma, Uniqueness, Nerve, and Talent

it takes to be America’s Favorite Drag Superdoll.

 

We blasted Glamazon and Champion out Heather’s iphone, and RuDoll soon had us all boogying and gagging, as she served up Bratz-doll Realness and Barbie Eleganza.

 

RuDoll serves up Barbie Eleganza

 

RuDoll is crocheted with some super-shitty KnitPicks Palette yarn (seriously, that stuff is the worst),

shaped with armature wire and stuffed with polyester fiberfill.

 

I beat her beautiful mug with pearl cotton embroidery floss and a chenille needle.

 

RuDoll: Covergirl!

 

RuDoll comes with two outfits and three wigs, all fully interchangeable.

With these tools, you can create such unique RuDoll looks as

 

GOLDA SHOWERS! 

RuDoll as Golda Showers

 

and

 

PINK LEMONADE!

RuDoll: Pink Lemonade

 

(Pink Lemonade inspired by this look from the Season 2 Drag Race episode “Country Queens.”)

 

RuDoll: Pink Lemonade

 

And, if you’re lucky, you just might catch a peek at RuDoll untucking in the Interior Illusions Lounge!

 

RuDoll untucking in the Interior Illusions Lounge

 

Sassy, no?

 

But don’t be jealous of her boogie.

 

RuDoll has a plenty of love to go around.

 

RuDoll and me, true luv forevah

 

For crafters and other interested parties, materials and construction details

are on my Ravelry project page.

 

 crochet rupaul doll

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new pattern for sale: Frick Frick BERET!

July 7th, 2011 pam Posted in friends, hats, lace, patterns | 19 Comments »

One of the best things I did this spring was go to a big-ass cabin in the middle of central Michigan with some of my favorite people and dearest friends, who also happen to be knitters. There’s about a dozen of us, we live all over the U.S., and this was the fifth time we’d (almost) all gathered in one place to spend a weekend together.

We loafed around, we drank tequila, we ate cheese, and we swapped hats.

KBC V hat swap
Photo by Minty. Also pictured: ChristyCaroNovaJulia, Ashley, Diana, & Sarah.
So many hats!

I used the occasion of the Hat Swap to design a jaunty chapeau for Ms. Frick Knits, otherwise known as JulieFrick.

I give you, in keeping with the FlintKnits tradition of silly pattern names …

*** Frick Frick BERET! ***

Julie Frick in her Beret
(This and all subsequent FrickFrickBeret! photos were taken by the amazing Caro Sheridan.)

I loved knitting this hat so much that I immediately made a second one for a swap with Chawne (she, like Julie, looks smashing in red). The second version is slightly less slouchy – un soupçon de slouch, more of a classic tam shape.

Sarah was kind enough to model it before I blocked it and sent it off to Chawne.

Sarah in Chawne's FrickFrickBeret

The angular leaf lace ends in star-shaped crown decreases.

FrickFrickBeret crown decreases

A closer look at the two sizes, side by side.

FrickFrickBerets, together


About the pattern: The Frick Frick BERET! pattern includes instructions for two sizes; options for either plain or rolled-edge brims; and both charts and written instructions for the lace pattern and crown decreases.

Skills needed: Knitting and purling in the round, increases and decreases, yarn-overs.

Materials:

  • 1/2 skein Little Red Bicycle Hipster Sock (430 yards; 80% merino/20% nylon), or about 215 yards of another fingering weight yarn
  • US 3 (3.25mm) circular or double-pointed needles (or size needed to get gauge) for your preferred method of knitting in the round
  • US 2 (2.75mm) circular or double-pointed needles, for brim (or one size smaller than main needles)
  • stitch marker
  • tapestry needle

Sizes:

  • un soupçon de slouch (a hint of slouch, pictured on Sarah)
  • un petit peu plus de slouch (a little bit more slouch, pictured on Julia)

Brim circumference for both sizes measures 17″ unstretched, and up to 24″ stretched.

Gauge: 8 sts and 8 rows per inch in main lace pattern

Cost: $5 US

Let’s hear it — Frick, Frick, BERET!

 Frick, Frick, BERET!

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omg hats!

June 17th, 2011 pam Posted in contests, hats | 9 Comments »

The randomly-chosen winner of my cheeky Atlas Shrug contest was Lisa Gutierrez, of goodknits and omgknits. If you haven’t checked out her blog or her Etsy shop, you should. The photography is beautiful, and she sells these tiny doily pins that are freaking adorable.

Along with her skein of Manos Wool Clasica (in Citric, a colorway close to my own heart), Lisa asked me to knit a cap to donate to a cancer treatment center. She probably didn’t know it at the time, but that’s a cause that’s also close to me. I’m a two-time leukemia survivor, and I swear to kittens sometimes during the Chemo Years the only thing I could stand to put on my naked, sensitive head was one of my mom’s handknit hats. My own treatment center here in Flint is usually pretty flush with hats, but Lisa introduced me to headhuggers.org, which distributes hats to cancer treatment centers that need them. Win!

(So what hat pattern should use to knit or crochet a chemo cap? Do you have a favorite? Share!)

And then I realized that I have at least five unblogged finished hats sitting on my Ravelry projects page. Let’s knock a few of them out right now! I knit all three of these hats in 2009, gave them away, and completely forgot to blog about them.

First, Rose Red by Ysolda Teague. (Remember January 2009 when I still bothered trying to look serious? Good times.)

 Rose Red

[raveled]

I love this pattern. It’s quick and pretty, and has just the right amount of slouch. Love. I gave this one away to a pink-loving friend, but I obviously need to make another for myself.

rose red back

Second, the Wood Hollow hat, by Kirsten Kapur. A perfect cabley cap that also has a matching mitten pattern.

Wood Hollow hat
[raveled]

And third, another of Kirsten’s patterns that I changed up a bit. Her super-popular Thorpe is a simple earflap hat knit in chunky yarn. I just switched out the colorwork chart and skipped the garter stitch trim.

thorpe-ish

[raveled]

thorpe-ish

Aaaand the end of 2009, when I’d given up on pretending to be a Serious Model.

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Knitting, Charity, and the “Virtue of Selfishness.” (plus, CONTEST!)

April 19th, 2011 pam Posted in contests, politics | 57 Comments »

It’s no secret that Ayn Rand has been a central figure in modern American conservative and libertarian thought. Her work is often, unfortunately, disconnected from its historical context (”along with her most avid fans,” Jennifer Burns explains, Rand “saw herself as a genius who transcended time”). Yet Rand’s most famous works, particularly the novel Atlas Shrugged, have seen increased popularity and attention at specific moments in American conservative and libertarian political activism.

We are, according to many pundits, policymakers, observers, and critics from across the political spectrum, witnessing one such resurgence alongside new forms of right-wing activism and policymaking in the US. I’m an unapologetic leftist (certainly this is wildly shocking for my regular readers, yes?), but I don’t think you have to be particularly radical to take issue with Ayn Rand’s brand of philosophy, or the US federal and state policies that are increasingly inspired by its vision of the world.

As one recent article summed it up:

During her lifetime, Rand advocated “the virtue of selfishness,” declared altruism to be “evil,” opposed Medicare and all forms of government support for the middle-class and the poor, and condemned Christianity for advocating love and compassion for the less fortunate. Rand also dismissed the feminist movement as a “false” and “phony” issue, said a female commander in chief would be “unspeakable,” characterized Arabs as “almost totally primitive savages,” and called government efforts to aid the handicapped and educate “subnormal children” an attempt to “bring everybody to the level of the handicapped.”

Which brings me to a particularly … surprising example of this most recent wave of Randianism: The ATLAS SHRUG.

Atlas Shrug, by Sandi Prosser, from yarnmarket.com
Image (c) yarnmarket.com

The pattern blurb reads:

Who is John Galt? Inspired by the blockbuster book by Ayn Rand, the Atlas Shrug is more than a fashion statement. It’s a statement about modern society. The construction is reminiscent of railway lines, in the color of the metal created by the brilliant industrialist. Knit your own Atlas Shrug in Caledon Hills yarn and tell the world that you value your independence.

Let me be clear: I don’t know a thing about the shrug’s talented designer, Sandi Prosser, who has given the world some really beautiful patterns in the past, or about YarnMarket’s business philosophy (though I do know from personal experience that they offer excellent customer service, and speedy shipping at a reasonable cost). I have no interest in badmouthing a hardworking designer or an independent yarn shop. And I have no idea why this pattern exists. Maybe it’s truly intended to inspire some kind of Objectivist fashion movement. Or maybe it’s just meant to be an apolitical literary reference, like a Doctor Who scarf or a Gryffindor tie.

What I do know is that I haven’t been able to stop thinking about this damn shrug since I first saw it. So I’ve been asking myself, WHY does it bother me so much? It’s just a knitting pattern, after all. And I’ve realized that part of my problem (other than what I’ll freely admit is a fierce mistrust of all things Randian) is the use of knitting in particular to celebrate Rand’s “virtue of selfishness,” and to promote individual self-interest as the key to social, political, and economic good.

Knitting can be a solitary or individual activity, of course, particularly within the consumer cultures that have recently emerged around fiber crafts. But the history of knitting in many parts of the world is, as Anne Macdonald and Joanne Turney tell us, also the history of knitting circles, of stitch-and-bitch nights, of women-friendly social spaces and of radical collective action.

KBC Knitted Blanket
Baby blanket that a bigass group of us made, collectively, for a dear friend.

And the history of knitting is also, very clearly, a history of charity — a legacy of, in Christian language, “caring for the least among us.”

While Rand and her followers celebrate the “virtue of selfishness,” the history and current practice of knitting is actively contrary to that philosophy. Many knitters give away more handmade goods than they keep, and many of those knitted items are unselfishly given not to friends or loved ones, but to strangers in need.

Where Rand saw “subnormal children,” for instance, knitters see the loving parents of premature infants, or people living meaningful lives with disabilities, all of whom could perhaps use (as could we all) a bit of comfort, encouragement, humor, or warmth. Dozens of charities deliver hand-knitted toys, clothing, and blankets to those families and individuals.

In fact, read any list of knitting charities, and you’ll find a testament not simply to our generosity, but to our humanity — to our common desire to reach out to one another at our most vulnerable moments. We devote countless hours to crafting gifts of love and support for the sick and injured, for the displaced, for the dying, for the bereaved. We knit for people we will never know or meet — caps for cancer patients, shawls for hospice residents, burial clothing for those mourning a miscarriage or infant death.

Like knitting, charity has, in many cultural traditions, been a feminine pursuit, and having leisure time to devote to recreational crafts or charitable works is a sign of class privilege. In modern European and US history, benevolent charity toward the “lower” classes and races has been central to the definition of white middle-class women as morally superior. In some later post, we’ll talk more about how craft-based charitable endeavors have been and still can be totally fucked-up, imperialist projects (for instance, when white American missionaries taught Native women to knit in an attempt to forcibly assimilate them into Euro/American heteronormative gendered behaviors and family arrangements). Charity is always political, and it’s always about power. But for the moment, let’s look at what charitable knitting gets right.

For one thing, charitable knitting has the potential to make the personal political, to create spaces not only for sharing, compassion, and cross-class solidarity, but also for critical consciousness and social support in a world where women’s lives are too often marked by violence, victimization, and isolation.Those lists of charities tell us something about ourselves. We knit for the women and children who have survived family and relationship violence, but whose continued survival depends on underfunded shelters and volunteers. We knit for pregnant teens, and young women caring for their new infants. We knit to celebrate new life, to commemorate the dead, and as a testament to the possibility of survival. One charity gives comfort shawls to the mothers and sisters of women murdered by their husbands, boyfriends, or intimate partners. Through another organization, survivors of sexual violence make scarves that are given to victims of sexual violence when they enter the hospital for emergency treatment.

We knit when we encounter the violence, poverty, and loss that are endemic to modern, white supremacist, heteropatriarchal, capitalist societies. And, as they brandish Atlas Shrugged in one hand and the federal budget in the other, US policymakers bank on it. They know that women’s charitable and unpaid labors the world over are the only way to make up, however inadequately, for the injustices of global capitalism, and for the disappearing safety nets of a steadily-dismantled welfare state. When Medicare and Social Security are successfully gutted and the old folks’ homes don’t have money to pay the heating bills, Grandma is going to need those handknit shawls.

In other words, knitting actually has a long history of ameliorating the suffering caused by the individual selfishness — and the corporate and state greed — that Rand and her followers find “virtuous.”

Where the profit motives of the pharmaceutical industry make millions of mothers and fathers in sub-Saharan Africa vulnerable to early death from HIV/AIDS, knitters send handmade bears and dolls to their surviving partners and children.

Where the arrogance of militarized war and empire-building wreaks violence and havoc, knitters send blankets, sweaters, socks, and hats.

When women in the US are brutalized by their intimate partners and the state is unable or unwilling to support them, knitters send afghans to make life in the shelter a little more livable.

When the selfish greed of global capitalism and imperial power create surplus populations and impoverished classes of wage workers, knitters literally clothe the poor, sending warm handknits to homeless shelters in New Jersey, tribal reservations in North America, and people living in poverty all over the world.

And when those surplus people in the US — the poor, marginalized, addicted, and mentally ill — are disproportionately funneled into a profit-driven prison system, knitters send yarn, needles, and supplies. And then they volunteer to teach inmates to knit.

Clearly, no charity is a solution to any real social or economic problem. None of these gifts or organizations can touch the structural causes of poverty, injustice, violence, or war. A crocheted teddy bear does not cure AIDS; a handknit sweater does nothing to combat homelessness; knitting lessons don’t move us any closer to abolishing the prison industrial complex. If your neighborhood is studded with deadly landmines, maybe a pair of socks sent from the country that helped put them there is actually an insult. Those are problems that we need to confront in direct, collective, big-picture ways.

In the meantime, though, what our charitable practices might do is make the individual hardship, suffering, and violence wrought by those problems a little easier to survive. And yeah, I’ll take these small, hopeful acts and gifts of love over the cynical “virtue” of selfishness any day.

john galt is an asshole

Listen, shit just got real earnest in here. Clearly we need to tell some jokes before this becomes a blog about my Feelings. You know what we need? A CONTEST.

Okay! There are two ways to enter this contest:

(1) SATIRE! Write some alternative instructions for a Randian knitting pattern! Like “bind off all stitches. Block your finished shrug in the sweat and tears of the workers.” Or, “continue knitting until sleeve measures 17 inches, or until John Galt finishes his interminable monologue, whichever comes first.” Or…

(2) SINCERITY! Post a comment telling us about your favorite knitting or craft-based charity.

I’ll pick a comment at random, and the winner will receive the fabulous prize of: one skein of Manos del Uruguay Wool Clasica or Manos Lace in the colorway of their choice, AND … my charitable labor! I’ll make and send one handmade hat, shawl, or toy to the charity of their choice.

ETA: And let’s say the contest ends May 1 when I wake up in the morning.

ETA: For all us so-called “selfish” knitters who knit mainly or only for ourselves: This post is by no means meant to be a prescription for charitable knitting, or an indictment against knitting for oneself. Just a comment on how the feminine, middle-class history of recreational knitting is inseparable from the feminine, middle-class history of charitable works. And I think there’s something to celebrate there, even if it’s not a 100% awesome thing.

And surely, in a world that depends so much on women “selflessly” caring for others — on an exploitative sexual and global division of labor and on the wide range of unpaid and underpaid domestic work done by women all over the world — some forms of selfishness might be badass forms of resistance (e.g. the refusal to care for others at the expense of one’s own wellbeing). Rand’s “rational self-interest,” though? Doesn’t get us there.

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Spring is here! And it has POCKETS!

April 5th, 2011 pam Posted in FOs, sweaters | 27 Comments »

Cecily Glowik MacDonald is one of my favorite knitting designers working today. Her stuff is classic without being basic or boring, and she designs things I want to wear — and, more importantly, that I want to knit. Even when another stockinette-in-the-round project won’t hold my attention, Cecily’s patterns have details that do.

Case in point: Goodale.

Goodale
patternGoodale, by Cecily Glowik MacDonald
yarn: Elsebeth Lavold Silky Wool, in “vibrant lime green”
needles: 4.5mm circular
[raveled]

On one hand, it’s your basic top-down raglan cardigan (because, yes, what I really needed was another green cardigan).

On the other hand, lifted increases! I-cord edging! AND CHECK OUT THOSE POCKETS!

pockets!

Er, except I didn’t adjust the pattern for my long, long torso like I usually do, so I ended up with a lovely cropped length, which is perfect (perfect!) for spring and summer dresses and whatnot, but which means that these little pockets are awfully close to boob-level.Clearly, the only answer is to wear this Goodale all summer, and then make another one — this time with three-quarter sleeves and a longer body — and wear it every single day of Winter 2012.

I also made fabric-covered buttons for this one, an idea I shamelessly stole from Cirilia’s Double Decker Cardigan (in Knitting it Old School).

buttons!

I used some fabric scraps I had lying around, and this kit. And people, it could not have been easier! I WANT TO COVER ALL OF THE BUTTONS ALL OF THE TIME.

To sum up: Cecily rules! details are awesome! pockets! buttons!

And now, on the subject of pockets, I give you my best (and yet? still not that convincing) Stern Professorial Face when I tell you to spend some time with the amaaaazing “Pockets of History” collection at VADS.

stern professorial face + goodale

Pockets of History includes photographs of and information about hundreds of surviving examples of women’s tie-on pockets from the 18th and 19th centuries (pockets weren’t always attached to clothes, you know). Check out the embroidered pockets in particular — they’re pretty freaking incredible. Pockets!

ETA: Oh! Oh! And please check out Kate’s wonderful, wonderful post about pockets from a few days ago! (h/t to Katie for the link — the post was still languishing in my blogreader.)

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