omg hats!

June 17th, 2011 pam Posted in contests, hats 9 Comments »

The randomly-chosen winner of my cheeky Atlas Shrug contest was Lisa Gutierrez, of goodknits and omgknits. If you haven’t checked out her blog or her Etsy shop, you should. The photography is beautiful, and she sells these tiny doily pins that are freaking adorable.

Along with her skein of Manos Wool Clasica (in Citric, a colorway close to my own heart), Lisa asked me to knit a cap to donate to a cancer treatment center. She probably didn’t know it at the time, but that’s a cause that’s also close to me. I’m a two-time leukemia survivor, and I swear to kittens sometimes during the Chemo Years the only thing I could stand to put on my naked, sensitive head was one of my mom’s handknit hats. My own treatment center here in Flint is usually pretty flush with hats, but Lisa introduced me to headhuggers.org, which distributes hats to cancer treatment centers that need them. Win!

(So what hat pattern should use to knit or crochet a chemo cap? Do you have a favorite? Share!)

And then I realized that I have at least five unblogged finished hats sitting on my Ravelry projects page. Let’s knock a few of them out right now! I knit all three of these hats in 2009, gave them away, and completely forgot to blog about them.

First, Rose Red by Ysolda Teague. (Remember January 2009 when I still bothered trying to look serious? Good times.)

 Rose Red

[raveled]

I love this pattern. It’s quick and pretty, and has just the right amount of slouch. Love. I gave this one away to a pink-loving friend, but I obviously need to make another for myself.

rose red back

Second, the Wood Hollow hat, by Kirsten Kapur. A perfect cabley cap that also has a matching mitten pattern.

Wood Hollow hat
[raveled]

And third, another of Kirsten’s patterns that I changed up a bit. Her super-popular Thorpe is a simple earflap hat knit in chunky yarn. I just switched out the colorwork chart and skipped the garter stitch trim.

thorpe-ish

[raveled]

thorpe-ish

Aaaand the end of 2009, when I’d given up on pretending to be a Serious Model.

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Knitting, Charity, and the “Virtue of Selfishness.” (plus, CONTEST!)

April 19th, 2011 pam Posted in contests, politics 60 Comments »

It’s no secret that Ayn Rand has been a central figure in modern American conservative and libertarian thought. Her work is often, unfortunately, disconnected from its historical context (”along with her most avid fans,” Jennifer Burns explains, Rand “saw herself as a genius who transcended time”). Yet Rand’s most famous works, particularly the novel Atlas Shrugged, have seen increased popularity and attention at specific moments in American conservative and libertarian political activism.

We are, according to many pundits, policymakers, observers, and critics from across the political spectrum, witnessing one such resurgence alongside new forms of right-wing activism and policymaking in the US. I’m an unapologetic leftist (certainly this is wildly shocking for my regular readers, yes?), but I don’t think you have to be particularly radical to take issue with Ayn Rand’s brand of philosophy, or the US federal and state policies that are increasingly inspired by its vision of the world.

As one recent article summed it up:

During her lifetime, Rand advocated “the virtue of selfishness,” declared altruism to be “evil,” opposed Medicare and all forms of government support for the middle-class and the poor, and condemned Christianity for advocating love and compassion for the less fortunate. Rand also dismissed the feminist movement as a “false” and “phony” issue, said a female commander in chief would be “unspeakable,” characterized Arabs as “almost totally primitive savages,” and called government efforts to aid the handicapped and educate “subnormal children” an attempt to “bring everybody to the level of the handicapped.”

Which brings me to a particularly … surprising example of this most recent wave of Randianism: The ATLAS SHRUG.

Atlas Shrug, by Sandi Prosser, from yarnmarket.com
Image (c) yarnmarket.com

The pattern blurb reads:

Who is John Galt? Inspired by the blockbuster book by Ayn Rand, the Atlas Shrug is more than a fashion statement. It’s a statement about modern society. The construction is reminiscent of railway lines, in the color of the metal created by the brilliant industrialist. Knit your own Atlas Shrug in Caledon Hills yarn and tell the world that you value your independence.

Let me be clear: I don’t know a thing about the shrug’s talented designer, Sandi Prosser, who has given the world some really beautiful patterns in the past, or about YarnMarket’s business philosophy (though I do know from personal experience that they offer excellent customer service, and speedy shipping at a reasonable cost). I have no interest in badmouthing a hardworking designer or an independent yarn shop. And I have no idea why this pattern exists. Maybe it’s truly intended to inspire some kind of Objectivist fashion movement. Or maybe it’s just meant to be an apolitical literary reference, like a Doctor Who scarf or a Gryffindor tie.

What I do know is that I haven’t been able to stop thinking about this damn shrug since I first saw it. So I’ve been asking myself, WHY does it bother me so much? It’s just a knitting pattern, after all. And I’ve realized that part of my problem (other than what I’ll freely admit is a fierce mistrust of all things Randian) is the use of knitting in particular to celebrate Rand’s “virtue of selfishness,” and to promote individual self-interest as the key to social, political, and economic good.

Knitting can be a solitary or individual activity, of course, particularly within the consumer cultures that have recently emerged around fiber crafts. But the history of knitting in many parts of the world is, as Anne Macdonald and Joanne Turney tell us, also the history of knitting circles, of stitch-and-bitch nights, of women-friendly social spaces and of radical collective action.

KBC Knitted Blanket
Baby blanket that a bigass group of us made, collectively, for a dear friend.

And the history of knitting is also, very clearly, a history of charity — a legacy of, in Christian language, “caring for the least among us.”

While Rand and her followers celebrate the “virtue of selfishness,” the history and current practice of knitting is actively contrary to that philosophy. Many knitters give away more handmade goods than they keep, and many of those knitted items are unselfishly given not to friends or loved ones, but to strangers in need.

Where Rand saw “subnormal children,” for instance, knitters see the loving parents of premature infants, or people living meaningful lives with disabilities, all of whom could perhaps use (as could we all) a bit of comfort, encouragement, humor, or warmth. Dozens of charities deliver hand-knitted toys, clothing, and blankets to those families and individuals.

In fact, read any list of knitting charities, and you’ll find a testament not simply to our generosity, but to our humanity — to our common desire to reach out to one another at our most vulnerable moments. We devote countless hours to crafting gifts of love and support for the sick and injured, for the displaced, for the dying, for the bereaved. We knit for people we will never know or meet — caps for cancer patients, shawls for hospice residents, burial clothing for those mourning a miscarriage or infant death.

Like knitting, charity has, in many cultural traditions, been a feminine pursuit, and having leisure time to devote to recreational crafts or charitable works is a sign of class privilege. In modern European and US history, benevolent charity toward the “lower” classes and races has been central to the definition of white middle-class women as morally superior. In some later post, we’ll talk more about how craft-based charitable endeavors have been and still can be totally fucked-up, imperialist projects (for instance, when white American missionaries taught Native women to knit in an attempt to forcibly assimilate them into Euro/American heteronormative gendered behaviors and family arrangements). Charity is always political, and it’s always about power. But for the moment, let’s look at what charitable knitting gets right.

For one thing, charitable knitting has the potential to make the personal political, to create spaces not only for sharing, compassion, and cross-class solidarity, but also for critical consciousness and social support in a world where women’s lives are too often marked by violence, victimization, and isolation.Those lists of charities tell us something about ourselves. We knit for the women and children who have survived family and relationship violence, but whose continued survival depends on underfunded shelters and volunteers. We knit for pregnant teens, and young women caring for their new infants. We knit to celebrate new life, to commemorate the dead, and as a testament to the possibility of survival. One charity gives comfort shawls to the mothers and sisters of women murdered by their husbands, boyfriends, or intimate partners. Through another organization, survivors of sexual violence make scarves that are given to victims of sexual violence when they enter the hospital for emergency treatment.

We knit when we encounter the violence, poverty, and loss that are endemic to modern, white supremacist, heteropatriarchal, capitalist societies. And, as they brandish Atlas Shrugged in one hand and the federal budget in the other, US policymakers bank on it. They know that women’s charitable and unpaid labors the world over are the only way to make up, however inadequately, for the injustices of global capitalism, and for the disappearing safety nets of a steadily-dismantled welfare state. When Medicare and Social Security are successfully gutted and the old folks’ homes don’t have money to pay the heating bills, Grandma is going to need those handknit shawls.

In other words, knitting actually has a long history of ameliorating the suffering caused by the individual selfishness — and the corporate and state greed — that Rand and her followers find “virtuous.”

Where the profit motives of the pharmaceutical industry make millions of mothers and fathers in sub-Saharan Africa vulnerable to early death from HIV/AIDS, knitters send handmade bears and dolls to their surviving partners and children.

Where the arrogance of militarized war and empire-building wreaks violence and havoc, knitters send blankets, sweaters, socks, and hats.

When women in the US are brutalized by their intimate partners and the state is unable or unwilling to support them, knitters send afghans to make life in the shelter a little more livable.

When the selfish greed of global capitalism and imperial power create surplus populations and impoverished classes of wage workers, knitters literally clothe the poor, sending warm handknits to homeless shelters in New Jersey, tribal reservations in North America, and people living in poverty all over the world.

And when those surplus people in the US — the poor, marginalized, addicted, and mentally ill — are disproportionately funneled into a profit-driven prison system, knitters send yarn, needles, and supplies. And then they volunteer to teach inmates to knit.

Clearly, no charity is a solution to any real social or economic problem. None of these gifts or organizations can touch the structural causes of poverty, injustice, violence, or war. A crocheted teddy bear does not cure AIDS; a handknit sweater does nothing to combat homelessness; knitting lessons don’t move us any closer to abolishing the prison industrial complex. If your neighborhood is studded with deadly landmines, maybe a pair of socks sent from the country that helped put them there is actually an insult. Those are problems that we need to confront in direct, collective, big-picture ways.

In the meantime, though, what our charitable practices might do is make the individual hardship, suffering, and violence wrought by those problems a little easier to survive. And yeah, I’ll take these small, hopeful acts and gifts of love over the cynical “virtue” of selfishness any day.

john galt is an asshole

Listen, shit just got real earnest in here. Clearly we need to tell some jokes before this becomes a blog about my Feelings. You know what we need? A CONTEST.

Okay! There are two ways to enter this contest:

(1) SATIRE! Write some alternative instructions for a Randian knitting pattern! Like “bind off all stitches. Block your finished shrug in the sweat and tears of the workers.” Or, “continue knitting until sleeve measures 17 inches, or until John Galt finishes his interminable monologue, whichever comes first.” Or…

(2) SINCERITY! Post a comment telling us about your favorite knitting or craft-based charity.

I’ll pick a comment at random, and the winner will receive the fabulous prize of: one skein of Manos del Uruguay Wool Clasica or Manos Lace in the colorway of their choice, AND … my charitable labor! I’ll make and send one handmade hat, shawl, or toy to the charity of their choice.

ETA: And let’s say the contest ends May 1 when I wake up in the morning.

ETA: For all us so-called “selfish” knitters who knit mainly or only for ourselves: This post is by no means meant to be a prescription for charitable knitting, or an indictment against knitting for oneself. Just a comment on how the feminine, middle-class history of recreational knitting is inseparable from the feminine, middle-class history of charitable works. And I think there’s something to celebrate there, even if it’s not a 100% awesome thing.

And surely, in a world that depends so much on women “selflessly” caring for others — on an exploitative sexual and global division of labor and on the wide range of unpaid and underpaid domestic work done by women all over the world — some forms of selfishness might be badass forms of resistance (e.g. the refusal to care for others at the expense of one’s own wellbeing). Rand’s “rational self-interest,” though? Doesn’t get us there.

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new design! book! contest!

October 1st, 2010 pam Posted in FOs, contests, dresses, patterns 123 Comments »

You’ve probably already seen this book. You’ve probably already ordered it, received it, and cast on for at least six patterns from its pages.

But in case you haven’t? Three cheers for Stitchy McYarnpants and Caro Sheridan’s Knitting it Old School: 43 Vintage-Inspired Patterns. (And read on for a CONTEST. Everyone loves a contest!)

Knitting it Old School

Most vintage-update knitting books (and I own and love them all) are (1) full of understated, classy, mid-century white-lady housewifely styles; (2) quite limited in sizing, at both the smaller and larger ends; (3) short on designs for men; and (4) pretty.

With Stitchy and Caro at the helm, you’re probably unsurprised to hear that Old School is none of these things. There are loads of classic and classy garments, like Kirsten’s sweater featured on the cover and a number of other lovely, wearable sweaters and accessories (I’m wild about Diana’s and Cirilia’s designs).

But at least 50% this book is 100% bananas. Even the design I contributed — a houndstooth go-go dress – is one of its more reserved, staid garments. For example:

If you want a multicolor granny square dress to wear to your local community theatre production of Hair? Check.

crocheted beach bag shaped like a pineapple? Check.

Peppermint-striped bonnet and woolen pompom skirt for tipping back hot toddies by the fire with Pat Boone? Check.

An entire chapter full of patterns inspired by classic mid-century science fiction cinema? Also check.

Me, I’m whipping up a pair of Marnie MacLean’s crocheted hot pants to wear all over Rhinebeck next month. Yeah, that’s what I said.

Another remarkable thing about the book is the sheer number of patterns it offers — FORTY THREE, people. 43 patterns (9 of which are crocheted, plus a few bonus sewing tutorials). This is about twice what you’d find in most pattern books and, at the current list price on amazon.com, that comes out to about 38 cents per pattern. AND most of the designs come in sizes ranging from at least XXS to XXL.

Rally

My dress design, Rally, is available in chest sizes from 29.5 - 53.5 inches, with optional waist shaping, and bust darts for cup sizes A-DD. Plus the pattern includes 3 different skirt options, to increase away from the body at a 5, 10, or 15-degree angle (pencil, a-line, or circle). (It’s pictured in a size 33, with A cups and a 5-degree skirt.)

Find it on Ravelry!

Or on amazon.com!

Or at a trunk show coming this fall to your local knitting shop!

Aaaaand now for the contest: Leave a comment on this post saying which design from Knitting it Old School you love the most. On October 12, I’ll choose two commenters at random to win copies of the book, signed by authors Stitchy McYarnpants and Caro Sheridan.

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Crush update & a pattern preview

April 30th, 2010 pam Posted in contests, crush, wurstwarmer 34 Comments »

Thanks to all the knitters who bought the Willie pattern, to all the folks who posted and facebooked and twittered (tweeted? twatted?) about Willie, and to Shepherd Susie’s generous contest (which has been extended until Monday! go enter! win a half-share in Juniper Moon Farm’s 2011 yarn/fiber CSA! and while you’re there, check out the Lamb Cam, welcome several new lambs to the flock, and see more baby-animal cuteness than you can shake a stick at), we’ve already raised $1465.45 toward Crush’s vet care. That’s almost half the total bill. Unfriggingbelievable. As I said in the Juniper Moon Ravelry forum, we might have saved Crush’s leg without this help, but I honestly don’t know how.

And in case you doubted that generosity begets more generosity, I’m thrilled to report that all the attention paid to Willie has also bumped up sales of the wurstwärmer pattern. Today I made my second monthly donation of wurstwärmer proceeds to the Michigan Animal Rescue League: $105, for a total of $235. That buys a whole lot of food for shelter animals while they wait for new homes.

Crush is doing just fine — thanks to everyone who’s asked about her recovery and sent their good wishes. Her leg was put back together with pins and wires, but the result is delicate. The hard part comes now, when she doesn’t get to play or run or jump or tug or go for walks for the next 6-8 weeks. Needless to say, I am VERY OPEN to suggestions of activities that will wear her out in other ways.

Crush in cast

I’m working on several different patterns during all this quiet rest time, including something extra-specially-gruesome for Halloween. (Yes, Halloween. I start planning that shit on November 1, friend.)

Before the gruesome, though, let us have more cute. Another baby sweater was at the test-knitting stage when it was bumped aside so I could work on Willie. This little number is coming soon:

ella funt

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supersad news generates supercute pattern: Willie!

April 26th, 2010 pam Posted in FOs, baby, colorwork, contests, crush, despair, patterns, sweaters 85 Comments »

ETA: Shepherd Susie of Juniper Moon Farm has started an incredibly generous contest. If you buy the Willie pattern and comment on her blog, you’ll be entered to win a 2011 share in the farm’s yarn CSA.

Remember Crush? Also known as The Crushinator? My badass puppy and the muse who inspired the wurstwärmer pattern?

Well, on Thursday night, Crush’s favorite puppy sitter took her to the store and had her chillin in a shopping cart when, like a puppy, she jumped out.

And broke her leg.

Badly.

Crush laid up

Today, Crush had some pretty complicated surgery to stabilize a pretty complicated fracture (it went through the growth plate, which on a 9 month old puppy, is still all squishy and vulnerable). Did I say the surgery was complicated? I meant to say it was EXPENSIVE.

And so while Crusher was grogged out on morphine waiting for her moment on the operating table, I spent the weekend working like a dog to whip up a wiener-themed pattern to put a drop in the Puppy Surgery Fund bucket.

I give you … Willie!

Willie!

Willie is a round-yoked cardigan for babies and kids, with a lovable wiener dog that wraps around the lower body. The body and sleeves are knit separately, then joined in one piece for the yoke. If you don’t love dogs, Willie also looks fetching in stripes and solids. Worked up quickly in chunky yarn, this cardigan makes a handy last-minute gift, and a fun introduction to intarsia knitting.

Willie back

SIZES:
Chest circumference 20 (21.5, 23, 24, 26, 28) inches, to fit ages 6m (12m, 18m, 2y, 4y, 6y)

MATERIALS:

  • YARN: Louet Riverstone Chunky (100% wool, 165 yds) or other chunky weight yarn 1 (2, 2, 2, 3, 3) skeins main color (MC); 1 skein contrast color (CC); 1 skein Willie color (WC)
  • US 9 (5.5mm) circular & double-pointed needles, or size to get gauge
  • 6 (6, 6, 6, 7, 7) buttons, 1/2 inch in diameter
  • 2 stitch markers
  • scrap yarn for holding stitches and embroidering dog collar
  • tapestry needle

The pattern includes instructions and charts for sizes from 6 months to 6 years. If you haven’t tried intarsia knitting before (that’s the kind of colorwork where you have large chunks of color — like argyle! or a wiener dog!), this is a great first intarsia project. KnittingHelp.com has an excellent video explaining the technique.

Willie up close

Cost: $6 US

willie schematic

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